{"id":712,"date":"2018-11-06T20:19:07","date_gmt":"2018-11-06T20:19:07","guid":{"rendered":"http:\/\/apa2019.apantropologia.org\/keynotes\/"},"modified":"2019-05-31T13:15:19","modified_gmt":"2019-05-31T13:15:19","slug":"keynotes","status":"publish","type":"page","link":"https:\/\/apa2019.apantropologia.org\/en\/keynotes\/","title":{"rendered":"Keynotes"},"content":{"rendered":"\r\n

These are the confirmed keynote speakers<\/em> to the 7th APA congress:<\/p>\r\n\r\n\r\n

\r\n\r\n\r\n
Plenary session<\/strong> 1<\/strong>
June 5, Wednesday | 09:30 \u2013 10:30
Rector\u2019s Building, NOVA<\/strong><\/p>\r\n\r\n\r\n\r\n
Cristina S\u00e1nchez-Carretero<\/strong>
Instituto de Ciencias de Patrimonio (Incipit)
Consejo Superior de Investigaciones Cient\u00edficas (CSIC)<\/h1>\r\n\r\n\r\n\r\n
\u201c2019: Antropolog\u00edas sobre\/para\/en transformaci\u00f3n\u201d<\/strong><\/h1>\r\n\r\n\r\n\r\n
\r\n
$\"\"$ <\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
\u00a0<\/p>\r\n
Cristina S\u00e1nchez-Carretero <\/strong>es antrop\u00f3loga, doctora por la Universidad de Pennsylvania. Actualmente es cient\u00edfica titular del Instituto de Ciencias de Patrimonio (Incipit) del Consejo Superior de Investigaciones Cient\u00edficas (CSIC), donde coordina la especialidad de antropolog\u00eda. Su investigaci\u00f3n se centra en los procesos de patrimonializaci\u00f3n en las sociedades contempor\u00e1neas; conflicto y patrimonio; estudio de nuevos rituales de duelo; y la intersecci\u00f3n entre los procesos migratorios y la revitalizaci\u00f3n de pr\u00e1cticas religiosas. Entre sus libros destacan Heritage, Pilgrimage and the Camino to Finisterre: Walking to the End of the World<\/em> (Amsterdam: Springer, 2015), Grassroots Memorials. The Politics of Memorializing Traumatic Death<\/em> (Oxford: Berghahn, 2011), editado junto con Peter Jan Margry, El Archivo del Duelo. An\u00e1lisis de la respuesta ciudadana ante los atentados del 11 de marzo en Madrid<\/em> (Madrid: CSIC, 2011).\r\n<\/p>
Este congreso de la APA, con su lema \u201c2019\u201d sugiere \u2013y apunta como desider\u00e1tum- una antropolog\u00eda \u201csin fronteras tem\u00e1ticas, conceptuales o epistemol\u00f3gicas\u201d. Dejando a un lado la discusi\u00f3n de si es posible la ausencia de fronteras, en esta conferencia reflexiono sobre las normas no escritas que delimitan los temas, conceptos y epistemolog\u00edas del trabajo antropol\u00f3gico. A trav\u00e9s de ejemplos del campo patrimonial, propongo analizar las transformaciones silenciosas (Jullien 2010) activadas en\/desde\/contra \u201c2019\u201d. La elecci\u00f3n del t\u00e9rmino \u201ctransformaci\u00f3n\u201d no es balad\u00ed: para el fil\u00f3sofo Fran\u00e7ois Jullien, es uno de los lugares de lo \u201cno-pensado\u201d en las lenguas indoeuropeas. El uso de las tres preposiciones del t\u00edtulo de esta conferencia \u2013un recurso que Jordi Roca llev\u00f3 al extremo en su art\u00edculo \u201c\u00bfAntrop\u00f3logos en (o ante, bajo, con, contra, de, desde, para, por, seg\u00fan, sin, sobre, tras) la empresa?\u201d (2007)- me permite articular una primera parte dedicada a las antropolog\u00edas sobre procesos de transformaci\u00f3n; otra dedicada a las antropolog\u00edas para la transformaci\u00f3n; y unas reflexiones finales sobre las antropolog\u00edas en transformaci\u00f3n, centrada en la geopol\u00edtica de las antropolog\u00edas y la renovaci\u00f3n del papel de las asociaciones en las trasformaciones de nuestras disciplinas.<\/p>\r\n\r\n
\u00a0<\/p>\r\n
\r\n
\u00a0<\/p>\r\n\r\n
Plenary session 2
June 6, 2019, Thursday | 09:30 \u2013 10:30
Rector\u2019s Building, NOVA
<\/strong><\/p>\r\n\r\n\r\n\r\n
Ramon Sarr\u00f3<\/strong>
School of Anthropology and Museum Ethnography
University of Oxford<\/h1>\r\n\r\n\r\n\r\n
\u201cA Profeta e o M\u00e1rtir: Hist\u00f3ria e Paisagem no Norte de Angola\u201d<\/strong><\/h1>\r\n\r\n\r\n\r\n
\r\n
$\"\"$ <\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
Ramon Sarr\u00f3<\/strong> (PhD London 1999, Habilita\u00e7\u00e3o Lisbon 2010), Associate Professor at the School of Anthropology and Museum Ethnography of the University of Oxford and Fellow of St Antony\u2019s College.<\/p>\r\n\r\n\r\n\r\n
Prior to joining the University of \u00a0Oxford in October 2012, Ramon Sarr\u00f3 had been a Senior Researcher at the Institute of Social Sciences of the University of Lisbon since 2002, as well as a Fellow at the Program for Agrarian Studies, Yale (2010-11). He has been a member of the French network REASOPO since 2009. He has conducted research\u00a0in Guinea, Guinea-Bissau, Portugal, Angola and the Democratic Republic of Congo. He is the author of the award-winning\u00a0The Politics of Religious Change on the Upper Guinea Coast: Iconoclasm Done and Undone<\/em>\u00a0(International African Institute 2009) and co-editor, with Ant\u00f3nia Lima, of Terrenos Metropolitanos: desafios metodol\u00f3gicos<\/em> (ICS 2007) with David Berliner of Learning Religion: Anthropological Approaches<\/em>\u00a0(Berghahn 2007), and with Ruy Blanes and Markus Balkenhol of Atlantic Perspectives: Places, Memories and Spirits in Europe, Africa and the Americas<\/em>, forthcoming in September 2019 in Berghahn). He has directed the EU (NORFACE) \u00a0programme \u201cRecognizing Christianity: How African Migrants Redefine the European Religious Heritage\u201d (2007-2010), and has been the British PI of the programme \u201cCurrents of Faith \u2013 Places of Memory\u201d, an EU (HERA) consortium (2013-1016), for which he has conducted 9 months of fieldwork in rural Angola. In 2010, together with Simon Coleman (Toronto), he created the annual review journal Religion and Society: Advances in Research<\/em> (Berghahn).<\/p>\r\n\r\n\r\n\r\n
Sarr\u00f3 has worked on the agrarian, religious and political dimensions of social change in Africa and the diaspora, as well as on the manifestations of prophetic imagination and on material culture (including its iconoclastic destruction). A manuscript on the prophetic invention of a Kongo alphabet is currently under preparation. Currently, he is also the PI of the international project \u201cMangroves and Aluminium\u201d, funded by the John Fell Fund large grants award scheme (2018-19), in which team of researchers from Europe and Guinea (Conakry) are assessing the impact of aluminium mining upon the mangrove-rice farming communities of the Guinean coast, a region he has been familiar with since 1992. This is accompanied by a twin project which consists on the curation of an exhibit on Baga art in New York, with the focus on the ways Baga art expresses the relationships between farmers, animals and environment. Since 2013 Sarro has also been very active in the revitalization of the Ethnographic National Museum of Bissau, an institution created in 1987 but that had disappeared during the civil war of 1998-99. Based on old photographs, Sarro and a team of researchers have reconstructed the history of the museum and managed to re-create it in the capital of the West African country. A book in Portuguese, funded by the Gulbenkian Foundation, narrates the research and shows the images digitally recuperated (O Museu Nacional Etnogr\u00e1fico da Guin\u00e9-Bissau: Imagens para uma Hist\u00f3ria<\/em>). Together with Marina P. Temudo and Roger Canals, he is currently editing a film, tentatively entitled \u201cChasing Shadows\u201d, that they have shot in Guinea-Bissau, capturing the material works of prophetic imagination among Balanta farmers.<\/p>\r\n
In tune with the intention of the conference to discuss end of the world challenges for humanity and for anthropology, in this presentation I discuss the entanglement between apocalyptic memories (and expectations) and cultural heritage in Northern Angola, and how this entanglement inscribes itself in the ruins and in the forests, affecting not only the livelihoods of the individuals living there, but also the ethical decisions of anthropologists trying to make sense of what it is to live in a world in ruination.<\/p>\r\n\r\n\r\n
\r\n\r\n\r\n
Plenary session 3<\/strong>
June 7, 2019, Friday | 19:30 \u2013 20:30 <\/strong>
Cineteatro Capit\u00f3lio<\/a> <\/strong><\/p>\r\n\r\n\r\n\r\n
Sensorial Keynote<\/h1>\r\n\r\n\r\n\r\n
This plenary session, open to the city of Lisbon and to the general public, will take the form of a \u201csensorial keynote\u201d which aims to approach \/ arouse sensations through sounds and images:<\/p>\r\n\r\n
$\"\"$ V\u00edtor Bandeira \/ Tjak <\/strong>\u2013 \u201cTraveling (Brazil): Sounds of the forest, in the distant storm. The song of the Uirapuru announces the coming of good weather. In Mato Grosso, Xingu, meeting with Kamayura Indians, on the Araguaya River, Bananal Island, with Karaj\u00e1 Indians. Finally \u201cUmbanda\u201d and trance, in Manaus. The voice of the Father of Saint accompanies us from the beginning. (Victor Flag Records -1964\/5) \u201c. [listen to excerpt here]<\/a><\/p>\r\n
$\"\"$ Catarina Alves Costa<\/strong> \u2013 \u201cSee and hear the world as an ethnographic gesture\u201d.<\/p>\r\n
A partir de algumas sequ\u00eancias de filmes com uma componente autoral, esta apresenta\u00e7\u00e3o abre caminho para pensar os usos da imagem e do som como formas de encantamento, explora\u00e7\u00e3o, observa\u00e7\u00e3o, descoberta e finalmente, interpreta\u00e7\u00e3o de universos etnogr\u00e1ficos distintos. A antropologia surge aqui ligada \u00e0 ideia de perce\u00e7\u00e3o do mundo sensorial capturado fugazmente pela c\u00e2mara e tornado, assim, virtual.<\/p>\r\n
$\"\"$ Filipe Reis<\/strong> \u2013 \u201cAnthropology and listening to the world\u201d<\/p>\r\n
A antropologia e a escuta do mundo \u00e9 uma pe\u00e7a \u00e1udio e visual que convida a audi\u00eancia a escutar com os olhos e a ver com os ouvidos atrav\u00e9s da projec\u00e7\u00e3o de imagens, narra\u00e7\u00e3o e arte sonora. Vagamente inspirada nas ideias \u201cingoldianas\u201d sobre percep\u00e7\u00e3o e sensorialidade, a pe\u00e7a inclui grava\u00e7\u00f5es de campo do arquivo sonoro do autor (com destaque para uma ida recente ao barbeiro) e fragmentos de pe\u00e7as sonoras e document\u00e1rios realizados recentemente. <\/p>\r\n\r\n
\u00a0<\/strong><\/p>\r\n<\/body>","protected":false},"excerpt":{"rendered":"
Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-712","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pa0GuG-bu","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/pages\/712"}],"collection":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/comments?post=712"}],"version-history":[{"count":5,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/pages\/712\/revisions"}],"predecessor-version":[{"id":1706,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/pages\/712\/revisions\/1706"}],"wp:attachment":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media?parent=712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}