{"id":1229,"date":"2019-05-25T18:07:48","date_gmt":"2019-05-25T18:07:48","guid":{"rendered":"http:\/\/apa2019.apantropologia.org\/?p=1229"},"modified":"2019-05-26T16:33:11","modified_gmt":"2019-05-26T16:33:11","slug":"beyond-life","status":"publish","type":"post","link":"https:\/\/apa2019.apantropologia.org\/en\/beyond-life\/","title":{"rendered":"Beyond life"},"content":{"rendered":"\n

Title |<\/strong> Beyond Life<\/p>\n

Directed by |<\/strong> Frode Storaas and Knut Chr. Myhre<\/span><\/p>\n

Year |<\/strong> 2018<\/span><\/p>\n

Runtime |<\/strong> 23 min<\/span><\/p>\n

Production |<\/strong> Frode Storaas, University Museum of Bergen<\/span><\/p>\n

Country |<\/strong> Tanz\u00e2nia\u00a0<\/span><\/p>\n

Display format |<\/strong> H 264<\/span><\/p>\n

Camera |<\/strong> Frode Storaas
\n<\/span><\/p>\n

Sound |<\/strong> Frode Storaas<\/span><\/p>\n

Synopsis | EN | <\/strong>On the rural slopes of Mount Kilimanjaro, a young man takes his own life, leaving a wife and several small children behind. On the third day after his burial, a ceremony is conducted to cool or cleanse the homestead \u2013 ihora kaa. Such ceremonies are conducted for every death to allow its inhabitants to resume their everyday lives. However, it requires particular care and attention in the case of a suicide. The film follows each step to document the ceremony, and thus demonstrates how the camera can serve as a tool for ethnographic data collection.<\/span><\/p>\n

\n
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