{"id":1434,"date":"2019-05-27T19:20:36","date_gmt":"2019-05-27T19:20:36","guid":{"rendered":"http:\/\/apa2019.apantropologia.org\/?p=1434"},"modified":"2019-05-27T19:27:43","modified_gmt":"2019-05-27T19:27:43","slug":"luciamor-la-mola-lucia","status":"publish","type":"post","link":"https:\/\/apa2019.apantropologia.org\/en\/luciamor-la-mola-lucia\/","title":{"rendered":"Luc\u00edamor – La Mola Luc\u00eda"},"content":{"rendered":"

Title |<\/strong> Luc\u00edamor \u2013 La Mola Luc\u00eda<\/p>\n

Directed by |<\/strong> Ana Elena Tejera<\/p>\n

Year |<\/strong> 2017<\/p>\n

Runtime |<\/strong> 17\u2032<\/p>\n

Country |\u00a0<\/strong> Panama<\/p>\n

Script |<\/strong> Ana Elena Tejera, Cebaldo de Le\u00f3n<\/p>\n

Production |<\/strong> Maria Isabel Burnes<\/p>\n

Production Company |<\/strong> Mestizo Cinema, Too Much Productions, Cine Animal<\/p>\n

Genre |<\/strong> Documentary Short<\/p>\n

Director of Photography |<\/strong> Christian Bradford<\/p>\n

Sound |<\/strong> Jose Rommel Tu\u00f1on<\/p>\n

Synopsis | EN |<\/strong> Available in Portuguese<\/a>.<\/p>\n

\n
<\/iframe><\/div>\n<script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n<hr>\nJune 6th,\u00a0CINEMATECA<\/strong><\/p>\n9:30 PM<\/span><\/p>\n[In the presence of the director]<\/span><\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"Ana Elena Tejera \n2017, 17′, Panama<\/p>\n","protected":false},"author":1,"featured_media":1438,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[27],"tags":[],"class_list":["post-1434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-selected-films"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/apa2019.apantropologia.org\/wp-content\/uploads\/2019\/05\/luciamor.png?fit=776%2C310&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa0GuG-n8","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1434"}],"collection":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/comments?post=1434"}],"version-history":[{"count":4,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1434\/revisions"}],"predecessor-version":[{"id":1447,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1434\/revisions\/1447"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media\/1438"}],"wp:attachment":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media?parent=1434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/categories?post=1434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/tags?post=1434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}