{"id":1494,"date":"2019-05-27T21:12:05","date_gmt":"2019-05-27T21:12:05","guid":{"rendered":"http:\/\/apa2019.apantropologia.org\/?p=1494"},"modified":"2019-05-27T21:12:42","modified_gmt":"2019-05-27T21:12:42","slug":"nossos-mortos-tem-voz","status":"publish","type":"post","link":"https:\/\/apa2019.apantropologia.org\/en\/nossos-mortos-tem-voz\/","title":{"rendered":"Nossos Mortos T\u00eam Voz"},"content":{"rendered":"<body><p><strong>Title |<\/strong> Nossos Mortos T\u00eam Voz<\/p>\n<p><strong>Directed by |<\/strong> Fernando Sousa and Gabriel Barbosa<\/p>\n<p><strong>Plot and Script |<\/strong> Fernando Sousa and Gabriel Barbosa<\/p>\n<p><strong>Ano |<\/strong> 2018<\/p>\n<p><strong>Pa\u00eds |<\/strong> Brazil<\/p>\n<p><strong>Dura\u00e7\u00e3o |<\/strong> 30\u2032<\/p>\n<p><strong>Director of Photography |<\/strong> Luis Felipe Romano<\/p>\n<p><strong>Cameras |<\/strong> Luis Felipe Romano, D\u00e9bora \u00cdndio do Brasil, Jorge Bernardo, Karima Shehata<\/p>\n<p><strong>Direct Sound |<\/strong> Vilson Almeida<\/p>\n<p><strong>Producer |<\/strong> Gabriel Barbosa<\/p>\n<p><strong>Co-producer |<\/strong> Arpoador Comunica Filmes<\/p>\n<p><strong>Editing and Montage |<\/strong> D\u00e9bora \u00cdndio do Brasil<\/p>\n<p><strong>Sound Mix |<\/strong> Alexandre Griva<\/p>\n<p><strong>Color |<\/strong> Glauco Gigon<\/p>\n<p><strong>Research |<\/strong> Terine Hussek e Vinicius Santiago<\/p>\n<p><strong>Editing Assistant |<\/strong> Lucas Vieira<\/p>\n<p><strong>Design |<\/strong> Luiza Chamma<\/p>\n<p>A F\u00f3rum Grita Baixada and Centro de Direitos Humanos de Nova Igua\u00e7u presentation<\/p>\n<p><strong>Sponsored by|<\/strong> Misereor, Fundo Brasil de Direitos Humanos, Funda\u00e7\u00e3o Heinrich B\u00f6ll<\/p>\n<p><strong>Supported by|<\/strong> Rede de M\u00e3es e Familiares na Baixada Fluminense, Rede de Comunidades e Movimentos contra a Viol\u00eancia, Casa Fluminense<\/p>\n<p><strong>Synopsis | EN |<\/strong> Available in Portuguese.<\/p>\n<hr>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/nsVFbAtgl1M\" width=\"800\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<hr>\n<p><b>Dia 5, <\/b><b>FCSH-NOVA<\/b><\/p>\n<p>5:00 PM<\/p>\n<p>\u00a0<\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>Fernando Sousa e Gabriel Barbosa<br \/>\n2018, 30&#8242;, Brazil<\/p>\n","protected":false},"author":1,"featured_media":1492,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[27],"tags":[],"class_list":["post-1494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-selected-films"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/apa2019.apantropologia.org\/wp-content\/uploads\/2019\/05\/mortosvoz.png?fit=776%2C310&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa0GuG-o6","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1494"}],"collection":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/comments?post=1494"}],"version-history":[{"count":2,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1494\/revisions"}],"predecessor-version":[{"id":1496,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1494\/revisions\/1496"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media\/1492"}],"wp:attachment":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media?parent=1494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/categories?post=1494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/tags?post=1494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}