{"id":1506,"date":"2019-05-27T21:26:40","date_gmt":"2019-05-27T21:26:40","guid":{"rendered":"http:\/\/apa2019.apantropologia.org\/?p=1506"},"modified":"2019-05-27T23:08:38","modified_gmt":"2019-05-27T23:08:38","slug":"ruins-of-a-splendid-holiday","status":"publish","type":"post","link":"https:\/\/apa2019.apantropologia.org\/en\/ruins-of-a-splendid-holiday\/","title":{"rendered":"Ruins of a Splendid Holiday"},"content":{"rendered":"<body><p><strong>Title |<\/strong> Ruins of a Splendid Holiday<\/p>\n<p><strong>Directed by |<\/strong> Dasom LEE<\/p>\n<p><strong>Runtime |<\/strong> 25\u2032<\/p>\n<p><strong>Language |<\/strong> Korean<\/p>\n<p><strong>Subtitles |<\/strong> English<\/p>\n<p><strong>Camera |<\/strong> Dasom LEE<\/p>\n<p><strong>Editing |<\/strong> Dasom LEE<\/p>\n<p><strong>Translation and Subtitles |<\/strong> Dasom LEE<\/p>\n<p><strong>Synopsis | EN |<\/strong> This is an audiovisual ethnography on the memories of perpetrators of state violence, particularly lower level actors who carried out the murderous plan during the May 18 in 1980, Gwangju, South Korea.<\/p>\n<hr>\n<p><strong>June 5th, FCSH- Nova<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">5:00 PM<\/span><\/p>\n<p><span style=\"font-weight: 400;\">[In the presence of the director]<\/span><\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>Dasom LEE<br \/>\n25&#8242;, South Korea<\/p>\n","protected":false},"author":1,"featured_media":1504,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[27],"tags":[],"class_list":["post-1506","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-selected-films"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/apa2019.apantropologia.org\/wp-content\/uploads\/2019\/05\/RuinsSplendid.png?fit=776%2C310&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa0GuG-oi","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1506"}],"collection":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/comments?post=1506"}],"version-history":[{"count":1,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1506\/revisions"}],"predecessor-version":[{"id":1508,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1506\/revisions\/1508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media\/1504"}],"wp:attachment":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media?parent=1506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/categories?post=1506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/tags?post=1506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}