{"id":1506,"date":"2019-05-27T21:26:40","date_gmt":"2019-05-27T21:26:40","guid":{"rendered":"http:\/\/apa2019.apantropologia.org\/?p=1506"},"modified":"2019-05-27T23:08:38","modified_gmt":"2019-05-27T23:08:38","slug":"ruins-of-a-splendid-holiday","status":"publish","type":"post","link":"https:\/\/apa2019.apantropologia.org\/en\/ruins-of-a-splendid-holiday\/","title":{"rendered":"Ruins of a Splendid Holiday"},"content":{"rendered":"<body><p><strong>Title |<\/strong> Ruins of a Splendid Holiday<\/p>\n<p><strong>Directed by |<\/strong> Dasom LEE<\/p>\n<p><strong>Runtime |<\/strong> 25\u2032<\/p>\n<p><strong>Language |<\/strong> Korean<\/p>\n<p><strong>Subtitles |<\/strong> English<\/p>\n<p><strong>Camera |<\/strong> Dasom LEE<\/p>\n<p><strong>Editing |<\/strong> Dasom LEE<\/p>\n<p><strong>Translation and Subtitles |<\/strong> Dasom LEE<\/p>\n<p><strong>Synopsis | EN |<\/strong> This is an audiovisual ethnography on the memories of perpetrators of state violence, particularly lower level actors who carried out the murderous plan during the May 18 in 1980, Gwangju, South Korea.<\/p>\n<hr>\n<p><strong>June 5th, FCSH- Nova<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">5:00 PM<\/span><\/p>\n<p><span style=\"font-weight: 400;\">[In the presence of the director]<\/span><\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>Dasom LEE<br \/>\n25&#8242;, South Korea<\/p>\n","protected":false},"author":1,"featured_media":1504,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[27],"tags":[],"class_list":["post-1506","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-selected-films"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/apa2019.apantropologia.org\/wp-content\/uploads\/2019\/05\/RuinsSplendid.png?fit=776%2C310&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa0GuG-oi","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1506"}],"collection":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/comments?post=1506"}],"version-history":[{"count":1,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1506\/revisions"}],"predecessor-version":[{"id":1508,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1506\/revisions\/1508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media\/1504"}],"wp:attachment":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media?parent=1506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/categories?post=1506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/tags?post=1506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}