{"id":1556,"date":"2019-05-27T23:01:57","date_gmt":"2019-05-27T23:01:57","guid":{"rendered":"http:\/\/apa2019.apantropologia.org\/?p=1556"},"modified":"2019-05-27T23:08:04","modified_gmt":"2019-05-27T23:08:04","slug":"woya-hayi-mawe-para-onde-vais","status":"publish","type":"post","link":"https:\/\/apa2019.apantropologia.org\/en\/woya-hayi-mawe-para-onde-vais\/","title":{"rendered":"Woya hayi mawe: Where are you going to?"},"content":{"rendered":"<body><p><strong>Title |<\/strong> Woya hayi mawe: where are you going to?<\/p>\n<p><strong>Direction, photography and research |<\/strong> Jasper Chalcraft and Rose Satiko Hikiji<\/p>\n<p><strong>Runtime | <\/strong>46\u2032<\/p>\n<p><strong>Year | <\/strong>2018<\/p>\n<p><strong>Country |<\/strong> Brazil, Mozambique<\/p>\n<p><strong>Editing, colour |<\/strong>\u00a0Ricardo Dionisio<\/p>\n<p><strong>Direct Sound |<\/strong> Jasper Chalcraft<\/p>\n<p><strong>Additional Direct Sound |<\/strong>\u00a0Rose Satiko Hikiji, Maria Carolina Botinhon de Campos, Danilo J. de Oliveira, Luiza Fernandes Coelho, Ricardo Dionisio, Klaus Wernet<\/p>\n<p><strong>Additional cameras |<\/strong>\u00a0Ricardo Dionisio, Danilo J. de Oliveira, Marina Decourt<\/p>\n<p><strong>Mixing and Mastering |<\/strong> Jean Nands, Ewelter Rocha; Mixing N\u00f4mades Sesc S\u00e3o Paulo: Danilo Moraes<\/p>\n<p><strong>Production |<\/strong>\u00a0Laborat\u00f3rio de Imagem e Som em Antropologia (LISA-USP)<\/p>\n<p><strong>Translation (English version) |<\/strong>\u00a0Jasper Chalcraft<br>\n<strong>Translation (italiano) |<\/strong>\u00a0Anna Beatriz Geronimi Benine<br>\n<strong>Revision (italiano) |<\/strong> Heloisa Barbati<\/p>\n<p><strong>Research project | <\/strong>\u201cBeing\/Becoming African in Brazil: migrating musics and heritages\u201d (Fapesp grants 2016\/05318-7, 2016\/06840-9 and 2016\/24445-0)<\/p>\n<p><strong>Support | <\/strong>This film is part of the project Being\/Becoming African in Brazil: migrating musics and heritages (grants 2016\/04404-7 and 2016\/06840-9 S\u00e3o Paulo Research Foundation \u2013 FAPESP).<br>\nThis study was financed in part by the Coordena\u00e7\u00e3o de Aperfei\u00e7oamento de Pessoal de N\u00edvel Superior \u2013 Brasil (CAPES) \u2013 Finance Code 001<\/p>\n<p><strong>Research groups | <\/strong>Pesquisas em Antropologia Musical (PAM); Grupo de Antropologia Visual (GRAVI-USP)<\/p>\n<p><strong>Cast (in order of appearance)<\/strong><br>\nLenna Bahule<br>\nCLARIANAS Naloana Lima e Martinha Soares<br>\nN\u00d4MADES (S\u00c3O PAULO) Vinicius Costa, Erik Ekstrom, Edu Sattajah, Lilian Rocha, Luana Baptista, Victoria dos Santos, Camila Ronza<br>\nBANDA N\u00d4MADES (S\u00c3O PAULO) S\u00e9rgio Reze, Ari Colares, Jo\u00e3o Taubkin<br>\nDanilo Moraes<br>\nGUMBOOT Rubens Oliveira, Washington Gabriel, Pamela Cristina, Munique Mendes, Danilo Nonato, Samira Marana Diego Henrique, Silvana de Jesus<br>\nBAHULE QUARTET Lenna Bahule, Gabriel Draetta, Ed Woiski, Kiko Woiski<br>\nN\u00d4MADES (MAPUTO) Rukan, Suke Tanni, Aben\u00e7oada Mondlane, Albertina Ngulela<br>\nBANDA N\u00d4MADES (MAPUTO) May Mbira, Nelson, Stelio Zo\u00e9, Tony Chabuca, Cheny Wa Gune<br>\nGRUPO HODI Elias Manhi\u00e7a, Augusto Manhi\u00e7a, Fernando Sitoe, Vasco Sitoe<br>\nMingas (Elisa Domingas Salatiel Jamisse)<br>\nBob Moway<\/p>\n<p><strong>Synopsis | EN |<\/strong> Following Mozambican musician Lenna Bahule from her adopted home of S\u00e3o Paulo, back to a stage show she organises in Maputo, the film reveals her discovery of a new music culture, combining traditional and popular music and artivism. The film deals with music and diaspora, identity politics and transcultural capital.<\/p>\n<hr>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/304450359?title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n<hr>\n<p><strong>June 6th, FCSH- Nova<\/strong><\/p>\n<p>5:00 PM<\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>Jasper Chalcraft e Rose Satiko Hikiji<br \/>\n2018, 46&#8242;, Brazil, Mozambique<\/p>\n","protected":false},"author":1,"featured_media":1554,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[27],"tags":[],"class_list":["post-1556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-selected-films"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/apa2019.apantropologia.org\/wp-content\/uploads\/2019\/05\/woya.png?fit=776%2C310&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa0GuG-p6","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1556"}],"collection":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/comments?post=1556"}],"version-history":[{"count":3,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1556\/revisions"}],"predecessor-version":[{"id":1559,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/posts\/1556\/revisions\/1559"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media\/1554"}],"wp:attachment":[{"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/media?parent=1556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/categories?post=1556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apa2019.apantropologia.org\/en\/wp-json\/wp\/v2\/tags?post=1556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}